Saturday, January 26, 2013

Semper vs. Ruskin vs. Viollet-le-Duc


This first blog examines the theories and works of Ruskin, Viollet-le-Duc, and Semper.  These three men from the 19th century each attempted to analyze architecture from their time period and earlier to determine how architecture should be approached from then on into the future.  Different methods were used by each of them to come up with their theories.  There are similarities and differences between the three great minds, which can be seen in their writings and architectural works.
            John Ruskin was a firm believer in the value of craftsmen in the field of architecture.  He valued the spirit of the building created by the people physically crafting the architecture.  The process of creation was more important than the final outcome of the building.  Ruskin was a fan of gothic architecture because of the craft that went into the gothic style.  “The Seven Lamps of Architecture” is an essay written by Ruskin outlining his principles of architecture.  The seven “lamps” are sacrifice, truth, power, beauty, life, memory, and obedience.  He felt these seven values kept architects moral in their work. 
            Viollet-le-Duc boiled architecture down to its basic components, mostly architectural forms.  He examined buildings based on features such as domes, arches, and other aspects found both in plan and section.  He studied these forms to see what type of space they created within the building.  From his studies he came to the conclusion of the building appearance needing to reflect the rational construction of the building.  He also believed the function of the building should be what dictates the style of the building.  Every visual aspect of the building should reflect some functional reason within the building.  The included image shows how Viollet-le-Duc approached using the new material.  The drawing below shows the new material being used to create a functional aspect within the space, just as his theory describes.  Viollet-le-Duc spent much of his career dealing with restoration.  His architecture theory carried into this work with the mindset of using the forms originally found in the building to enhance the restoration project.

http://www.studyblue.com/notes/note/n/lecture-4/deck/2692077

            Gottfried Semper viewed architecture in a very scientific way.  He first simplified architecture down to four main components.
            1. Hearth: social point in a building.
            2. Substructure: raise the hearth off of the ground.
            3. Roof: protect the hearth from rain and elements.
            4. Enclosure: keep wind and cold out of hearth.
The second major theory Semper came up with was an equation to explain architecture.  This equation stated the final result is equal to a formula including every aspect a building can contain including materials, culture of the area, and personal influences of the architect.  By viewing architecture in this way, Semper was able to better understand different aspects of architecture and how they work together to create a style.  An example of his work can be seen in the image below.  This image shows Semper’s support of ornamentation on buildings. 
http://www.smerus.pwp.blueyonder.co.uk/111a3670.jpg
            After reflecting on the thoughts of these 19th century thinkers, I was able to apply them to my own opinion of architecture.  Before studying these men I never gave much thought into the importance of what makes existing buildings successful.  By understanding the three methods explored in this post I am now better prepared to understand how the style of architecture is formed.  I can now apply this concept to use in my own work.